for Albert Abonado
Tale of the Blueberries
Chen ChenI needed a cold book for the warm weather.
I met my friend at the coffee shop
by the music school. A student with a cello case
strapped to his back took a long, seemingly fretful time
to order a chamomile tea.
I had fallen in love with the past
tense, wishing I could always speak in it & end
most of my verbs with a firmness that felt
like clarity. But
that was no way to order an iced mocha.
I met my friend, who every time we met this spring
invited me to pick & eat blueberries
at his family’s farm, the place where he would be
helping out for much of the summer.
A part of me wanted to ask if the farm was in trouble,
if he had to reach out to all his writer friends
like this. But mainly I was glad to be invited,
over & over & today, too.
I knew I would be sad
if the next time he didn’t. & in truth I didn’t want to go
in case I embarrassed myself at the farm,
embarrassed my friend,
disrespected the blueberries,
& wasn’t invited back.
Definitely, I told him. I’d love to.
Then remembered how I’d said so last spring.
There was something in the way he asked
that sounded like he was talking about the past,
not the future, though of course
you could only invite someone to your future, including
conversations about your past.
I wouldn’t want anyone to actually visit
my past, to walk right into it like a coffee shop,
where the music playing is bad, where my mistakes are
just happening for however long they take & my present self
isn’t there to sigh, then say, Wait, please,
I’m about to make an apology, many
awkward yet sincere amends.
My family’s blueberry farm—it sounded like a setting
in a book, a warm book in which anything could happen
or a cold book in which only one thing must happen.
The student cellist was sitting across from us,
barely touching his tea.
I had fallen in love with the word eyelash.
I was reading a book where the writer was clearly in love
with the word eyelid.
I wanted to tell my friend in the coffee shop
all about this. I wanted to tell him I wanted to be friends
with this writer. I wanted to say I wanted to be better friends with him,
that I could see us being the kind of friends who told each other
what words we currently loved,
what words we once loved, we could be friends who told each other
we loved each other. But I hadn’t made it very far
in that book yet.
what surprised you about the composition of this poem?
I usually start with the title; a poem’s title is the first line for me, so I was expecting to talk about blueberries. I wasn’t expecting to talk about love. Or embarrassment. Or failure. But that’s how poems happen, or that’s how I hope they will go—picking up an odd clue here, an ordinary mystery there.