When I Met Sharon Olds She Told Me to Write A Poem About LBJ’s Penis

Sasha Debevec-McKenney

Everyone in my family knew
how horny I was long before I did.
At my grandmother’s funeral
I remembered fondly the time
she caught me looking at porn
over her dial-up. I humped
her basement floor watching BET Uncut.
Music videos had the most sex. Women
bent over and covered in cash,
conquered. At home my mother slept
on the couch, so I sat upstairs
on the corner of her bed, flipping
through channels, looking for sex.
I was desperate to see a penis.
I skipped school and found sex
during the day on Jerry Springer.
I didn’t want to write the poem.
What’s so poetic
about a sad man pulling proof
out of his pants, windmilling
his dick backwards into his own grave?
What color could you even
compare him to? I remember
my elementary school gym teacher
laughing at his own punchline,
some joke about touching yourself.
I knew the joke was about sex
so I kept my questions to myself.
Wouldn’t it be impossible to not
touch yourself? I think I might be
touching myself right now?
I assumed everyone knew
that whenever LBJ felt stupid
or upstaged or small, he took
his penis out. He slammed it
on the table. My life changed
when I found out what I could do
with my mouth. I licked
it all up, thirsty as any lifelong learner,
any other lover of the last drop,
swallowing everything but
what I had to say. I bragged
with the bombs I was given.
I dropped them exactly when
I wanted. Rules were only odes to order,
suggestions with a playful grip on the throat.
My pussy ruined a marriage,
led them back to each other
and blessed them with a son.
My body count is growing. Gather
the video girls. Tell them to twerk to this:
LBJ is in hell with all the other Presidents!
On a burning hilltop, in a graveyard
full of flaccid legacies, they wave
their penises like white flags.

Sasha Debevec-McKenney is a poet who received her MFA from New York University. She was born in Hartford, Connecticut, and lives in Madison, Wisconsin.
Originally published:
January 1, 2020

Featured

Louise Glück’s Late Style

The fabular turn in the poet’s last three books
Teju Cole

The Critic as Friend

The challenge of reading generously
Merve Emre

Rachel Cusk

The novelist on the “feminine non-state of non-being”
Merve Emre

Subscribe

New perspectives, enduring writing. Join a conversation 200 years in the making. Subscribe to our print journal and receive four beautiful issues per year.
Subscribe