Fall 2025

Fall 2025 cover image

Volume 113, No. 3
Fall 2025
The Yale Review

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Cover: Edmund de Waal, landfall, 2024. Photo: Alzbeta Jaresova. Courtesy the artist.

Table of Contents

Nonfiction

Cycladic Figurines and Their Mysteries

An excavation in fragments
September 8, 2025

Green, Lively, and Full of Decay

Why Claire-Louise Bennett’s epistolary style is the one for our times
September 8, 2025

How Mrs. Dalloway Began

Slipping into Virginia Woolf’s sentences
September 8, 2025

The Husband

My three trips to Venice, before and after marriage
September 8, 2025

The Richard Siken Effect

How Crush changed American poetry—and found a second life online
September 8, 2025

Trump Is Only a Symptom

The crisis that America can’t change at the ballot box
September 8, 2025

What Is a Poetic Novel?

A newly translated manifesto
September 8, 2025

When AI Speaks for the Dead

A murder victim recently addressed a defendant with the help of AI. What are the limits of our new reality?
September 8, 2025

Fiction

New Year’s Story

September 8, 2025

Sleepova

An annotated excerpt
September 8, 2025

The Kings and Queens of Notting Dale

An excerpt and introduction
September 8, 2025

Poetry

Dream Father

September 8, 2025

Fighting Words: Arrivals

September 8, 2025

Fighting Words: Broken Heating

September 8, 2025

Fighting Words: Peace and All Good

September 8, 2025

Fighting Words: Tea Fever

September 8, 2025

Older Shadows

September 8, 2025

Suggesting a Psyche

September 8, 2025

Tossed About the Room

September 8, 2025

You Too

September 8, 2025

Interviews

Anthony Vahni Capildeo

The poet on the power of a lyric sequence
September 8, 2025

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Featured

When AI Speaks for the Dead

A murder victim recently addressed a defendant with the help of AI. What are the limits of our new reality?

The Husband

My three trips to Venice, before and after marriage

Trump Is Only a Symptom

The crisis that America can’t change at the ballot box