Nonfiction

Lessons of the Line

Charles Simic and me
Dana Levin

Revisiting Andrew Holleran's Dancer from the Dance

The novel that introduced a new post-Stonewall gay sensibility
Garth Greenwell

Streaming the Polycrisis

Why have TV miniseries about catastrophe become all the rage?
Adam Fales

Ucky Art

Judith Scott, Eva Hesse, and the visceral power of "texxture"
Lauren Elkin

Heat Maps

Desire in the dark
Alex Marzano-Lesnevich
Books

Gender Wars

Two scholars excavate the origins of today’s trans backlash
Paisley Currah

Browse

Nonfiction

Traffic in smog

Driving Us to Despair

Soul-killing and racist, the American commute is deeply wrong
Jess Row
April 1, 2020
Cityscape

Copying & Lying

From For Now
Eileen Myles
April 1, 2020
A stack of old issues of The Yale Review. Courtesy Pentagram

Is This Tyranny?

How losing the right to vote changed my understanding of America
Feisal G. Mohamed
April 1, 2020
Image of COVID-19 virus. Graphic by Bianca Ibarlucea.

Cannon Fodder

A doctor on the front lines
Laura Kolbe
March 27, 2020
An old document discussing impeachement

Do They Dare to Impeach?

What history tells us about the case against Trump
Feisal G. Mohamed
January 23, 2020
Fine art of a woman bathing

A Common Seagull

On making art and mourning
Sheila Heti
January 1, 2020
A man and woman talking on a sofa
Portfolios

Art: Consuelo Kanaga

Eugenia Bell
January 1, 2020
Abstract automaton

Broken Doll

A daughter’s suicide in another country
Carlos Manuel Álvarez
and
Rahul Bery
January 1, 2020
Author photo

Changing My Mind

On sources, revision, and order
Lydia Davis
January 1, 2020
Susan Sontag, New York, February 2, 1978. Photograph by Richard Avedon. ©The Richard Avedon Foundation.
Books

Furious Permissions

For Susan Sontag, style was nourishment
Brian Dillon
January 1, 2020