Criticism

Who Was Shakespeare?

What Hamnet does—and doesn’t—get right
Dana Stevens

James Schuyler’s Genius

Why our greatest poet of the everyday has become a poet of the moment
Mae Losasso

Terrence Malick’s Disciples

Why the auteur is the most influential director in Hollywood
Bilge Ebiri

Chaos Agent in Chief

What Michael Wolff’s Trump quartet tells us about the next four years
James Surowiecki

The Elusive Poet of Desire

Why biographers can’t pin Cavafy down
Langdon Hammer

Solvej Balle’s Philosophy of Time

How a novelist transformed a single day into a radical experiment in time
Clare Carlisle

Browse

Criticism

A Miracle at the Met

Siena: The Rise of Painting brings together an astonishing group of artworks
Rachel Eisendrath
January 15, 2025

Inheriting Impressionism

Monet and Ja’Tovia Gary among the water lilies
Rachel Cohen
December 10, 2024

The Sexual Histories of Alan Hollinghurst

In Our Evenings, the novelist grapples with a divided Britain
Andrew Martin
December 10, 2024

The Surrealists Move to Mexico City

What Leonora Carrington and her peers found in their new home
Chloe Aridjis
December 10, 2024

Chantal Akerman’s Elusive Interiors

What the filmmaker’s portrayal of women reveals—and withholds
Emily LaBarge
September 9, 2024

How Mike Kelley Became Himself

The artist’s search for subcultural America
Jonathan Griffin
September 9, 2024

Is Blasphemy Illiberal?

Salman Rushdie’s thoroughly modern controversies
Len Gutkin
September 9, 2024

Writing in Pictures

Richard Scarry and the art of children’s literature
Chris Ware
September 9, 2024

The Living Practice of Criticism

A reply to my respondents
Jonathan Kramnick
June 17, 2024