After Chicago

Jason Koo

            He keeps seeing her there, wearing a blue shirt.

Though he knows that he was the one


            wearing the blue shirt. That somehow, in his mind,

he has taken her shirt off and put his shirt


            on her; which makes him wonder whether he’s

really in love with her, or just the image


            of himself next to her, whether his desire for her

is really just desire for her desire


            of him. But that’s silly, he thinks, you wanted her

the first time you saw her . . .


             But simply because he found her so instantly

favorable does not mean, he knows,


            that his desire has nothing to do with her (conceived)

desire for him; because if she hadn’t


            looked at him that way in the coffee shop, if she

hadn’t turned on him that rapture


            of attention, bringing an edge of spirit to his body,

then he wouldn’t be so unable to forget


            her now, wouldn’t keep calling her shape to mind

out of the shoveling on of other shapes


            that has filled the time between that coffee shop

and this. He flips the page of his book,


            flips it back. You’re not in love with her, stupid,

she’s no different from any of these other girls


            walking through the door, it’s just that you met her,

had coffee with her, felt the possibility


            of touching her, almost kissed her . . . his mind goes

blank as he tries to remember her expression


            during that moment . . .—How close did he come

before she pulled away?

                                                The shorter


            that distance, he realizes, the longer his desire will

remember her, trying to close that distance . . .


            And it is possible for him to see his entire life now

as exactly the length of that distance,


            closing in physical space, expanding in memory.

He looks down at his book, thumbs


            the remaining pages, then flips back to the page

he was on, holding the book open before


            him like a tray for whatever vision walks through

the door. And yet . . . He looks up. Just once,


            if I could close that distance . . . just once have someone

I really wanted, who wanted me


            back, at that same moment, with the same amount

of desire, then oh he would know love


            as a shredding of the dull fabric of days . . .

                                                                                            —fabric


of restrooms and receipts, computer labs,

            dentist offices, pipeline, wiring, fast-food interiors . . .


Desire in him remembers what tilted the self


            toward the brink, what brought it out, a blue lumina,

into the current on the avenues, so that


            taxicabs and towers, traffic lights, window lights,

pedestrians with their poodles, shadow-


            shaking trees, all acquired a clarity, a briskness, giving

him a sense that there was no line


            between his body and the city, that his motions

were the city’s motions, the span of his steps


            the span of bridges, that from all the hotel rooms

the restaurants, the clubs, the bars,


            the cinemas, the streets, the stadiums, the stations,

the secret, segregated life was coursing


             through him: so that even now, as he lowers his head

back into his book, vaguely beginning to realize


            that he can awaken to such a life at any moment, simply

by making it, not her, the object of his desire,


            he keeps seeing her there, wearing his blue shirt . . .


The Yale Review is committed to publishing pieces from its archive as they originally appeared, without alterations to spelling, content, or style. Occasionally, errors creep in due to the digitization process; we work to correct these errors as we find them. You can email [email protected] with any you find.

Jason Koo is the author of four collections of poetry, most recently No Rest. He is the director of creative writing at Quinnipiac University.
TAGS
#Poetry
Originally published:
July 1, 2007

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