The Nature of Things

Some of us were in the room

that had once been a granary

& was now a studio

to make music out of sound.

Another in one of the grand

bedrooms, editing a film

made from images

of the landscape surrounding

the thick-walled fifteenth-century castle

in which we dwelled.

One was creating a mural

about rivers, another composing

poems from the malevolent roots

of slavery.

            I was in my studio,

which had once been a maid’s quarters, 

propped on a soft bed

with cream pillows & comforter,

reading Lucretius & his grand poem

On the Nature of Things

too distracted to write.

Was it too quiet,

a place without chaos?

Travelers from different countries,

in exile from our families, friends, homelands, 

each with our own complex

histories & pasts wiped clean,

as if we were the reincarnation

of our former selves.

I looked out my window

at the crumbling stone walls

& fortress of the castle,

at what little had changed

since the grand rooms

held the lord & his family,

his countrymen sheltering from war. 

My country was in battle too,

over how people ought to live—

freedoms we’d once taken for granted, 

who should be allowed

to cross borders

from one country to another,

as if among the nature of things

we were each not merely

made of atoms.

            But let’s get back

to the bird one of us found

who had fallen from her nest

& against our prayers died.

We should not fear death,

Lucretius believed, because

all of us, humans, plants, birds, deer, 

are made of matter;

even the soul is material.

There are no gods

& if there are, they don’t care

about us—no afterlife,

no eternal beating

of our hearts;

we are divine

& unique in our living.

            Let’s get back to the tall 

cypress trees & perfect

red roses climbing

the wall, gardens tended to

with such care you might kiss

the earth, to the terrace

where trees kept us cool.

Let’s not speak about food

made from the bounty

of the vegetable gardens,

wine from the vineyards,

the headless statue

surrounded by greenery

—no one could recall

who she was, why it mattered—

or the games we played at night

as if we were still children.

            Come, follow us

down the earthen path

surrounded by forest

on every side (we are all material), 

where the sounds of birds & crickets, 

the mosquitoes we slapped

from our skin, the measures

& rhythms of air & winds,

that sudden rainfall even

when the sun was out,

kept us, at least momentarily,

from the perils of sorrow,

loss, even loneliness,

from the fear that pressed

against us, sometimes

at night or in the early hours

of the morning,

when we worried

we were not special enough,

had not done enough. We knew 

what awaited us, even though

in the scope of things

it rarely mattered,

once we left the fortress

of our epiphanies, the castle walls 

of our proclivities,

the eternal tower of our momentary 

brightness, where together

we broke bread.

Jill Bialosky is the author of Mock Heart: New & Selected Poems. Asylum: A Personal, Historical, Natural Inquiry in 103 Lyric Sections was a finalist for the 2020 National Jewish Book Awards.
Originally published:
June 8, 2026

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