Spring 2024

Spring 2024 cover image

Volume 112, No. 1
Spring 2024
The Yale Review

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Table of Contents

Nonfiction

Books

Gender Wars

Two scholars excavate the origins of today’s trans backlash
Paisley Currah
March 4, 2024

Heat Maps

Desire in the dark
Alex Marzano-Lesnevich
March 4, 2024

Lessons of the Line

Charles Simic and me
Dana Levin
March 4, 2024
Books

Renaissance Women

A new book celebrates—and sells short—Shakespeare’s sisters
Catherine Nicholson
March 4, 2024

The Auteur of Fatherhood

How Steven Spielberg recast American masculinity
Phillip Maciak
March 4, 2024

The Common Reader

Virginia Woolf in The Yale Review
Claire Messud
March 4, 2024

Jars with Well-Fitting Lids

Seeing loss more clearly
Catherine Lacey
February 14, 2024

Fiction

Rosaura at Dawn

Daniel Saldaña París
translated by Christina MacSweeney
March 4, 2024

Poetry

Angel Jacks

Brian Blanchfield
March 4, 2024

Banquo’s Ghost in Paterson

Martín Espada
March 4, 2024

Catechumen

Kéchi Nne Nomu
March 4, 2024

In Utero and After

Catherine Barnett
March 4, 2024

Kaspar Hauser

Christian Wessels
March 4, 2024

Litany for a Prolonged Dream

Joyce Mansour
translated by C. Francis Fisher
March 4, 2024

Memories Don’t Live Like People Do

Donauta Watson
March 4, 2024

Nicholson Baker and I

Catherine Barnett
March 4, 2024

The Search

Catherine Barnett
March 4, 2024

Two Days Twelve Thousand Years Ago

Brian Blanchfield
March 4, 2024

When Miriam Emerges from Ecstasy

Joyce Mansour
translated by C. Francis Fisher
March 4, 2024

Where

Rae Armantrout
March 4, 2024

Interviews

Rachel Cusk

The novelist on the “feminine non-state of non-being”
Merve Emre
March 4, 2024

Portfolios

Portfolio

Mylar Balloons on Horse Island

Incidental objects at the Peabody Museum’s outpost
Claire Hungerford
March 4, 2024

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Featured

Rachel Cusk

The novelist on the “feminine non-state of non-being”
Merve Emre

Books

Gender Wars

Two scholars excavate the origins of today’s trans backlash
Paisley Currah

Portfolio

Mylar Balloons on Horse Island

Incidental objects at the Peabody Museum’s outpost
Claire Hungerford