Criticism

How Mike Kelley Became Himself

The artist’s search for subcultural America
Jonathan Griffin
Books

The Polycrisis

Why can’t we stop talking about nonmonogamy?
Brandy Jensen

Is Blasphemy Illiberal?

Salman Rushdie’s thoroughly modern controversies
Len Gutkin

Poetically Speaking

A new book makes the case for bewilderment as a critical virtue
Brian Dillon

Writing in Pictures

Richard Scarry and the art of children’s literature
Chris Ware

Chantal Akerman’s Elusive Interiors

What the filmmaker’s portrayal of women reveals—and withholds
Emily LaBarge

Browse

Criticism

Beyond the Attention Economy

Turning to face our burning world
Laura Dassow Walls
May 23, 2023

How to Sharpen a Scythe

Is paying attention good in itself?
Daegan Miller
May 23, 2023

Sublimation and Self-Possession

Bearing witness to life’s weirdness
Ana Schwartz
May 23, 2023

The Saunterers’ Club

In pursuit of a more wayward Thoreau
Caleb Smith
May 23, 2023

Cancel Culture and Other Myths

Anti-fandom as heartbreak
Kathryn Lofton
March 27, 2023

Nothing Is a Memory

Remembering Bernadette Mayer
Daniel Poppick
March 27, 2023

The Journalist and the Photographer

Janet Malcolm’s Still Pictures
Brian Dillon
March 27, 2023

The Renegade Poetic Fortune-Telling Machine

On Joel Dias-Porter
Terrance Hayes
March 27, 2023

All at Once, the Multiverse Is Everywhere

Why today's movies, TV shows, and literature love branching timelines and many worlds
David M. de León
March 9, 2023

The Mother's Rage

Elena Ferrante and the torment of maternal love
Josh Cohen
February 28, 2023