Criticism

Who Was Shakespeare?

What Hamnet does—and doesn’t—get right
Dana Stevens

James Schuyler’s Genius

Why our greatest poet of the everyday has become a poet of the moment
Mae Losasso

Terrence Malick’s Disciples

Why the auteur is the most influential director in Hollywood
Bilge Ebiri

Chaos Agent in Chief

What Michael Wolff’s Trump quartet tells us about the next four years
James Surowiecki

The Elusive Poet of Desire

Why biographers can’t pin Cavafy down
Langdon Hammer

Solvej Balle’s Philosophy of Time

How a novelist transformed a single day into a radical experiment in time
Clare Carlisle

Browse

Criticism

How Emily Wilson Reimagined Homer

Her boldly innovative translation of the Iliad is an epic for our time
Emily Greenwood
September 18, 2023

The Choice Plot

Why are so many new novels obsessed with whether–and how–to have children?
Sanjena Sathian
September 18, 2023

Service or Servitude?

The Bear and The Menu give us very different views of capitalism
Daniel W. Drezner
September 12, 2023

Ordinary Allurements

Christina Sharpe’s reading lessons
Elleza Kelley
June 12, 2023

The Consolations of Failure

Two new books look at what failing can—and cannot—teach us
Jennifer Ratner-Rosenhagen
June 12, 2023

Beyond the Attention Economy

Turning to face our burning world
Laura Dassow Walls
May 23, 2023

How to Sharpen a Scythe

Is paying attention good in itself?
Daegan Miller
May 23, 2023

Sublimation and Self-Possession

Bearing witness to life’s weirdness
Ana Schwartz
May 23, 2023

The Saunterers’ Club

In pursuit of a more wayward Thoreau
Caleb Smith
May 23, 2023

Cancel Culture and Other Myths

Anti-fandom as heartbreak
Kathryn Lofton
March 27, 2023