Criticism

Who Was Shakespeare?

What Hamnet does—and doesn’t—get right
Dana Stevens

James Schuyler’s Genius

Why our greatest poet of the everyday has become a poet of the moment
Mae Losasso

Terrence Malick’s Disciples

Why the auteur is the most influential director in Hollywood
Bilge Ebiri

Chaos Agent in Chief

What Michael Wolff’s Trump quartet tells us about the next four years
James Surowiecki

The Elusive Poet of Desire

Why biographers can’t pin Cavafy down
Langdon Hammer

Solvej Balle’s Philosophy of Time

How a novelist transformed a single day into a radical experiment in time
Clare Carlisle

Browse

Criticism

Nothing Is a Memory

Remembering Bernadette Mayer
Daniel Poppick
March 27, 2023

The Journalist and the Photographer

Janet Malcolm’s Still Pictures
Brian Dillon
March 27, 2023

The Renegade Poetic Fortune-Telling Machine

On Joel Dias-Porter
Terrance Hayes
March 27, 2023

All at Once, the Multiverse Is Everywhere

Why today's movies, TV shows, and literature love branching timelines and many worlds
David M. de León
March 9, 2023

The Mother's Rage

Elena Ferrante and the torment of maternal love
Josh Cohen
February 28, 2023

On Anton Shammas's "Arabesques"

Revisiting the first major book in Hebrew by an Arab writer
Ratik Asokan
February 20, 2023
Books

Wong May's Poetry of Exile

In search of a language of unbelonging
Hao Guang Tse (谢皓光)
February 6, 2023

White Noise, New and Improved

How Noah Baumbach transformed a classic satire
Christine Smallwood
January 9, 2023

On Emancipation

What Hollywood has done to a much-circulated image of American slavery
Lauren Michele Jackson
December 9, 2022

The Darker Side of Bambi

What Felix Salten's tale teaches us about the lives of men
Charlie Tyson
November 30, 2022