Days of 1994: Alexandrians

Lunch at the end of the twentieth century:
death, like a hanger-on or a wannabe,
     sits with us at the cluttered bistro
     table, inflecting the conversation.

Elderly friends take lovers, rent studios,
plan trips to unpronounceable provinces.
     Fifty makes the ironic wager
     that his biographer will outlive him—

as will the erudite eighty-one-year-old
dandy with whom a squabble is simmering.
     His green-eyed architect companion
     died in the spring. He is frank about his

grief, as he savors spiced pumpkin soup, and a
sliced rare filet. We’ll see the next decade in
  or not. This one retains its flavor.
      “Her last book . . .” “. . . brilliant!” “She slept with . . .” “Really?”

Long arabesques of silver-tipped sentences
drift on the current of our two languages
      into the mist of late September
      mid-afternoon, where the dusk is curling.

Hushed pairs of women speak and gesticulate
over their plates, and Bach on the radio.
      Her olive face is flushed and downy
      when she arrives. I fold up my paper.

Just thirty-eight: her last chemotherapy
treatment’s the same day classes begin again.
      I went through it a year before she
      started, but hers is both breasts, and lymph nodes.

She’s always been a lax vegetarian.
Now she has cut out butter and cheese, and she
      never drank wine or beer. What else is
      there to eliminate? Tea and coffee . . .

(Our avocado salads are copious.)
It’s easier to talk about politics
      than to allow the terror that shares
      both of our bedrooms to find words. It made

the introduction; it’s an acquaintance we’ve
in common. Trading medical anecdotes
      helps out when conversation lapses.
      (We don’t hash over Mitterrand’s cancer.)

Four months (I say), I’ll see her, see him again.
(I dream my life; I wake to contingencies.)
      Now I walk home along the river
      into the wind, as the clouds break open.


The Yale Review is committed to publishing pieces from its archive as they originally appeared, without alterations to spelling, content, or style. Occasionally, errors creep in due to the digitization process; we work to correct these errors as we find them. You can email [email protected] with any you find.

Marilyn Hacker is the author of nineteen books of poems, most recently Calligraphies, and coauthor of two collaborations: A Different Distance, with Karthika Naïr, and Diaspo/Renga, with Deema K. Shehabi.
Originally published:
April 1, 1996

Featured

Searching for Seamus Heaney

What I found when I resolved to read him

What Happened When I Began to Speak Welsh

By learning my family's language, I hoped to join their conversation.

When Does a Divorce Begin?

Most people think of it as failure. For me it was an achievement.

Newsletter

Sign up for The Yale Review newsletter to receive our latest articles in your inbox, as well as treasures from the archives, news, events, and more.